My concerns are global

So 20+ years late to the ball, I got started on Twin Peaks. I took inn the Laura Palmer arc over a few days that, incidentally, were some of the emotionally most trying of my entire life, so I guess it served a therapeutic purpose. Especially the Log Lady introductions moved me in their theme…

Here’s a thought about comics (and Mœbius)

Language is the oldest technology humankind has – and visual language, the ability to distill human experience and emotion and make a representation of it, one of the oldest human impulses (the cave paintings in Luscaux are testament to that). It’s a kind of alchemy perhaps, something that helps us reimagine our environment and design the world we make for ourselves. It’s the place in our minds where we translate what we see and experience, where we invent new vistas, new ways of seeing.

Nick Abadzis, remembering Mœbius

    Here’s a thought about abstract comics

    A few years ago, I realised that the traditional ways the comics medium is used to express ideas wasn’t working for me. Once this happened, I started thinking about how comics might better express what I want to say. I started thinking about what the medium is and its building blocks. Since then I have been continually pulling comics apart and trying to figure it out. I like to think about comics in new ways.

    From an interview with New Zealand comics artist Draw on the Comics Addict blog (via Abstract Comics)

      Here’s a brutally realistic thought about comics:

      In comics, men of words hire men of images. The historical system of patronage is codified by capitalism and is supported by critics who use words and instinctively “read” comic text as though it is merely supported by images that stand in for verbal metaphors. In the arena of commercial art, class ties to and debases visual literacy and text reigns supreme.

      From Marguerite Van Cook’s article Sublime Capital, Kirby, Lee, the Worth and the Worthy at The Hooded Utilitarian.