Let’s play a game: read this and guess what it’s about, then click on.

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“Graphic novelists need to go back to the sketchpad and become artists again”

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Scanning those bookshelves, which held everything from Persepolis to Black Hole, what I saw were variations on a reductive graphic style designed to communicate information and signify simple emotions, but never to take the risk of showing a genuinely new, genuinely personal and daring perception of reality.

— in the Guardian, Jonathan Jones relates a disappointing visit to the bookstore’s four-coloured subtly spot-coloured section.

*ahem* May I remind everybody of my (out of print) sketchbook comics?

Here’s a thought about the apparent mutual exclusion of artistry and cartoonistry

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[Marc Bell] says his M.O. is to deconstruct and make novel use of “comics language” for his drawings, collages and mixed media works. Whether it’s the drawing style, the inclusion of text or use of grid forms, the influence of comics is fundamental and pervasive. “I see comics and drawing as all the same thing, anyway,” Bell says. Yet he insists he’s no Warhol or Lichtenstein: “I’m a cartoonist creating art, not the other way around.”

— From The Art of Compression: Comic Conversations on the Canadian Art website